That’s How I Got to Memphis – Music and the News

Will, Charlie's grandson and Jim sing That's How I Got to Memphis
Will, Charlie’s grandson and Jim sing That’s How I Got to Memphis

Stuck in my head ever since the end of The Newsroom, this song really seems to want to spend today with me, which would be fine if it didn’t make me so sad.

It won’t matter much if you didn’t like the show, or if music doesn’t carry you forward and back or if you don’t mourn the decline of integrity as a core value of journalism, but the use of it at a funeral for Charlie Skinner, (Sam Waterston,) the keeper of the flame, the leader who defended the honor of every journalist and story, is a spectacular metaphor.  YouTube won’t let me embed it, but here it is if you have the patience to link, it’s worth it.

Aaron Sorkin says Charlie represented the loss of decency offered by each of us to the rest of us, but for me, as Newsroom closed down, he stood for the rules that made journalism credible and critical to our country*; rules eroded in surrender to commerce and coarseness and fear.  Even so, The Newsroom closed with the first moment of yet another day’s show.  As Sorkin said, “They’re going to keep doing the news.”  It will, though, be with the loss of just a little more of the combination of honor and power, the Charlie Skinner, that had protected them, and us, for so long.

 

*The Atlantic called it a funeral for “old media” but I’ve lived in “new media” for decades now and the show wasn’t about that change – at least not to me.