Big Birthday Memory #6: May Day, Pete Seeger, Joe Hill, Music and Values, Past and Future

Pete Seeger with Bob Dylan
Pete Seeger with Bob Dylan

NOTE: As I approach my 70th birthday, I’ll reprise a milestone post here each day until the end of May. This post – from March 3, 2008, appears today in honor of May Day.

I once had the opportunity to interview BB King. In preparation, I brought his latest album home and played it for my sons. The older, then around 5, asked me “Why is this man named King mommy. Pete Seeger is the king of music, right?*” Well, how do you answer that? Our boys grew up on the Weavers, the Almanac Singers, Pete and Arlo at Carnegie Hall… all rich with wonderful songs (with pretty wonderful values) for children. I asked my husband, no folkie, why he didn’t complain about the “noise” – and in fact joined us every Thanksgiving at Carnegie Hall to hear Pete and later Pete and Arlo. He said (I’m paraphrasing here) “It’s offering them something whole to believe in. Even if they don’t always believe it – they’ll understand the feeling of believing – and always seek it.” As far as I can tell, that worked.

Rerack a few years though — to the Vietnam war, when songs like this informed some of my earliest political ideas.

In fact, Pete has been a hero of mine for more than 40 years (How is that possible?) As I sit watching the AMERICAN MASTERS documentary on his life, I can’t stop thinking about all the hope, idealism and dreams tied up in his music – at least in my life — and, for a time, the lives of my sons. Seeger always has believed that music has infinite power; his own music made us believe that we could bring about the world we dreamed of. I’m embarrassed by how much I long for those feelings; it’s probably one reason Barack Obama and his young supporters interest me so much – they remind me of…. ME. Pretty feeble, isn’t it? To still be whining about long-lost days and dreams. Most of all, to feel such rage and sadness at what we weren’t able to do for our children; we leave them a world, in many ways, so much tougher than the one we inherited.

Pete, though, would hate such talk. I once met him, around the time that there were civil rights battles raging in the old Chicago Back of the Yards neighborhoods that Saul Alinsky helped to organize. I asked him if it didn’t bother him that the residents there revealed attitudes so contrary to what had been fought for — for them — just a generation ago. His response “No. When people are empowered they have the right to want what they want. If we believe in empowerment we have to accept that too.” NOT a usual man, Mr. Seeger.

The music was more than a transmission of values though — from “A Hole in My Bucket” to Union Maid. It was our family soundtrack. One of my kids was watching WOODSTOCK while he was in college, and was astonished to hear Joan Baez singing Joe Hill – and to recognize it from when he was little (this is a bad YOUTUBE version; the proportions are off, but just listen..

In our house, that old labor song had been a lullaby. I’d learned it from Pete’s concerts. Recently, so many years from those lullabies, another family favorite presented us with a great, rolicking tribute to this remarkable man. I wanted to end with a more of this (way too) sentimental tribute to Pete, but the joy of watching another generation up out of their seats in song is probably a better way to end. Right?

*He went on to become an enormous BB King (and Albert, for that matter) fan, for the record.

SHUT UP AND SING: CATCHING UP WITH THE DIXIE CHICKS AND WORRYING ABOUT THE ELECTION

Shut_up_and_sing_2Have you seen  this movie?  I sat in bed watching it early Sunday morning on cable and was just blown away.  It’s one of the saddest, scariest, most moving American documentaries I’ve seen in a long time.  That’s no surprise, since it was directed by  Barbara Kopple, who made Harlan County USA – the landmark documentary about coal mine union battles in Kentucky.

What happened to the Dixie Chicks is infuriating: performing in London just before the start of the Iraq war, lead singer Natalie Maines (married, by the way, to HEROES star Adrian Pasdar,) told the crowd "Just so you know, we’re ashamed the President of the United States is from Texas."  The scene is included in this preview.


As I watched the film, seeing the rage and cruelty that emerged in the response to this one sentence,  my first thought was, "Oh my God, what does this mean for Barack Obama?"  The people who went after the Dixie chicks were nowhere near a sense of respect for the First Amendment – and sounded like they would be particularly vulnerable to "elitist" or racist accusations against a candidate.  If you remember the exit polls in West Virginia, Ohio and Pennsylvania you’ll recall that many respondents just about acknowledged that they would not vote for Senator Obama simply because of his race.  Am I unfair to wonder if many of those people are the same ones booing and even threatening Maines’ life?  Still "out there" in larger numbers than we wish?  Look at these figures:

In Pennsylvania
exit polls on primary day, 14% of voters
said that race one one of several important factors. Fifty-five percent of those were Clinton
voters and 45% Obama voters. When asked
race was “important” 19% said yes – 59% of them Clinton voters; when asked if
race was a factor in their decision, 12% said yes. In this group, 76% were white Clinton voters.

In West
Virginia
, when asked race was “important” to their decision, 22% said yes –82%
of them Clinton voters; when asked if race was a factor in their decision, 21%
said yes. In this group, 84% were white
Clinton voters.

Finally, Ohio. There, when asked race was “important” to
their decision, 20% said yes–  59% of them Clinton voters; when asked if race
was a factor in their decision, 14% said yes. In this group, 59% were Clinton voters. (the racial breakdown was not available here.)   

Please understand – I don’t know if I’m right.  I’m not alleging racial bias in all those who rose up to burn Dixie Chicks CDs and threaten country stations with boycotts if they "ever played one of their songs again"  – but I do suspect they could be more vulnerable to campaigns run in an uglier vein – just as they responded to this one.  It’s worrying me.

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