PEOPLE HAVE THE POWER – (AND SO DOES THE MUSIC)

Music has always had power over me – and it seems that rather than growing out of it, as I age, it just keeps getting more intense. Oh – and somehow in the second half of my life, Patti Smith  keeps showing up.  Last night I plugged my iPod into my car radio for a drive home from an evening meeting. I opened the sunroof and the windows to the summer night, set the player to "shuffle" and just let it choose.  What emerged?  THE PEOPLE HAVE THE POWER – the Patti Smith anthem  that closed the final night of the 2004 VOTE FOR CHANGE tour – one of the greatest musical experiences of my life.

So there I was – singing along – beating rhythm through the roof window and just so happy.  Of course the concert tour was unable to produce the change it sought – so maybe the people don’t  always have the power – but even after all the disappointments of my political life – and what for me has been the heartbreak of the past 6 years –the idealism of this song and all that it says: "the people have the power to redeem to work of fools" … and "I believe everything we dream|can come to pass through our union| we can turn the world around|  we can turn the earth’s revolution |  we have the power — People have the power … " still lifts my heart. 

I couldn’t find video of everyone in the tour singing PEOPLE HAVE THE POWER but I did find this and it was so great that even though it’s not what I was writing about, it’s from the same night and  you’ll love it.  Now I have to go do some work.  Enjoy yourselves.

Vote for Change ~ Cleveland ~ Oct 2, 2004

L

WILL YOU STILL NEED ME, WILL YOU STILL….??

Dscn0544_3 Saturday night we went to my friend Rona’s 60th birthday party in LA.  The photo is me, Rona and our Today Show colleague Coby. It was really fun – how often does Famous Amos bake you cookies and Brian Wilson sing to you on a Bel Air tennis court turned party heaven?  How often do you see photos of yourself, your friend and your husband at Today Show shoots and crazy parties?  And how often, in the unexpected chill of an April Los Angeles evening, do you see a pile of blankets for guests that includes the one you made their now 14-year-old son when he was born? 

I’ve written about Rona before but Saturday night was a real reminder of the nature of a gifted friend.  She asked everyone to stand up.  Those who knew her 5 years or less, sit down.  Then ten years.  Then fifteen.  We were feeling pretty cocky since we were in the 20 years or less category – until we saw how many people – from New York, DC, Hawaii, San Francisco, LA and God knows where else – were standing at 30 – and even 40 years!  And Rick and I knew many of them; we’d been to birthday parties or holiday events or just dinner with them over the years. I once heard someone quote Wendy Wasserstein as saying that you could judge someone’s character by how well they kept their friends.  In that as in so many other ways she was a star.

On the tables were CDs for all of us – with a photo of her at Woodstock on the cover (one that I’d used in our 20 year anniversary piece (it was really great) to close it out.  Sunday I was driving around LA while my husband was at his conference so I stuck the CD into the player.  The next thing I knew I was driving down the 10 Freeway in tears — not sweet little showers but huge wracking sobs.  Not really sadness, it was more a recognition of all the treasured time that has passed – of how much I loved so much of it and how real it still feels to me.  I’ve never read Remembrance of Things Past but I’m told that the entire epic emerges from memories evoked from the smell of a Madeline (a kind of French cookie – they sell them at Starbucks I think.) 

Well each song – Van Morrison or Bob Dylan or Paul Simon or Marvin Gaye took me someplace.  The thing is – sad as I was, I was also absurdly grateful to have the memories and moments so powerfully evoked by the music.  Not until I hit 60 did I realize you really DO get older – that some things are in the past for good.  When the music is there, though, nothing's really gone.  Memories and senses arise in all their glory and float me back where I came from.  Not for long – and not entirely – but enough to remind me of the privileges of my life and the wonders of life itself.  Corny but oh so true – music brings the gift of memory and joy.  Yet another thing to thank birthday girl Rona for adding to my life.  Happy birthday one more time, my sister.

ROCK HALL OF FAME: PEOPLE HAVE THE POWER

Patti_smith_3 Monday night Patti Smith was among those inducted into the Rock and Roll Hall of Fame.  As I’ve written in the past, I’ve attended a few inductions and they are high on the list of great experiences and remind us (as if we needed it) of the power of the music — a topic I’ve been discussing recently. 

This remarkable poet, who wrote Peaceable Kingdom – a mournful memory of her husband, who died of heart disease way too soon, and the anthem People Have the Power, can move us, then generate anger and provoke action.  Listen to these – these are iTunes links: Peaceable Kingdom and People Have the Power.  As different as they can be and each inspiring, moving and unforgettable.

Smith wrote in the New York Times that she had been ambivalent about the award – this independent spirit wasn’t certain she wanted to treat her art in this way.  I’m including the whole piece here because it will soon go behind the Times "wall."  Just see what sort of person has just been honored – and join me in my high respect and affection for this remarkable artist.

ON a cold morning in 1955, walking to Sunday school, I was drawn to the voice of Little Richard wailing “Tutti Frutti” from the interior of a local boy’s makeshift clubhouse. So powerful was the connection that I let go of my mother’s hand.

Rock ’n’ roll. It drew me from my path to a sea of possibilities. It sheltered and shattered me, from the end of childhood through a painful adolescence. I had my first altercation with my father when the Rolling Stones made their debut on “The Ed Sullivan Show.” Rock ’n’ roll was mine to defend. It strengthened my hand and gave me a sense of tribe as I boarded a bus from South Jersey to freedom in 1967.

Rock ’n’ roll, at that time, was a fusion of intimacies. Repression bloomed into rapture like raging weeds shooting through cracks in the cement. Our music provided a sense of communal activism. Our artists provoked our ascension into awareness as we ran amok in a frenzied state of grace.

My late husband, Fred Sonic Smith, then of Detroit’s MC5, was a part of the brotherhood instrumental in forging a revolution: seeking to save the world with love and the electric guitar. He created aural autonomy yet did not have the constitution to survive all the complexities of existence.

Before he died, in the winter of 1994, he counseled me to continue working. He believed that one day I would be recognized for my efforts and though I protested, he quietly asked me to accept what was bestowed — gracefully — in his name.

Today I will join R.E.M., the Ronettes, Van Halen and Grandmaster Flash and the Furious Five to be inducted into the Rock and Roll Hall of Fame. On the eve of this event I asked myself many questions. Should an artist working within the revolutionary landscape of rock accept laurels from an institution? Should laurels be offered? Am I a worthy recipient?

I have wrestled with these questions and my conscience leads me back to Fred and those like him — the maverick souls who may never be afforded such honors. Thus in his name I will accept with gratitude. Fred Sonic Smith was of the people, and I am none but him: one who has loved rock ’n’ roll and crawled from the ranks to the stage, to salute history and plant seeds for the erratic magic landscape of the new guard.

Because its members will be the guardians of our cultural voice. The Internet is their CBGB. Their territory is global. They will dictate how they want to create and disseminate their work. They will, in time, make breathless changes in our political process. They have the technology to unite and create a new party, to be vigilant in their choice of candidates, unfettered by corporate pressure. Their potential power to form and reform is unprecedented.

Human history abounds with idealistic movements that rise, then fall in disarray. The children of light. The journey to the East. The summer of love. The season of grunge. But just as we seem to repeat our follies, we also abide.

Rock ’n’ roll drew me from my mother’s hand and led me to experience. In the end it was my neighbors who put everything in perspective. An approving nod from the old Italian woman who sells me pasta. A high five from the postman. An embrace from the notary and his wife. And a shout from the sanitation man driving down my street: “Hey, Patti, Hall of Fame. One for us.”

BLAME IT ON THE ROLLING STONES

Rolling_stone_1970_1Here I am, working in my office with the TV on for company.  It’s behind me on a filing cabinet so mostly I’m really listening.   And I hear "Christmas, Christmas time is here, time for joy and time for cheer…"  It’s Alvin and the Chipmunks – the sped-up voices singing every December since I was in junior high – and they’re singing now because they accompany the opening credits of ALMOST FAMOUSCameron Crowe’s wonderful film about an aspiring rock journalist who wrote for ROLLING STONE, and it has emerged on TBS. 

Tjhs_1 Immediately I’m transported back to the "community room" of Thomas Jefferson High School on Route 51, 6 miles south of Pittsburgh.  Sock hops.  Standing along the wall waiting for someone to ask you to dance.  Crying in the girls’ room when they didn’t.  Driving around for hours in Barbara Morton’s dad’s convertible listening to our "Daddio of the Raddio" Porky Chedwick.   

Beyond it all, the transporting power of the music.  It’s actually kind of weird; this week I was in a Torah class studying ancient rules about when men are, or are not, permitted to listen to a woman’s voice.  The rules are very different for the singing voice than for the speaking voice.  Yeah – both of them are a bit peculiar but it is fascinating that as long as people (mostly men) have been thinking about these things. they’ve been aware of the power of music to distract, seduce, inspire and arouse. 

However disturbing it may be to learn that our long-ago sisters, in all cultures, not just Jewish ones, were isolated because of the perceived dangers of what might arise between women and men if relationships were allowed to emerge, they weren’t wrong about the underlying power of the music. 

The theory — at least one — was that listening to a woman’s voice, asking how she is, even, could lead to dangerous interactions.  I’m not here right now to discuss this topic, but to observe that as long as man has been making music it has been seen as dangerous and seductive.

Nothing too profound, but it’s Saturday night.  What do you want?

HOW ELSE WOULD I GET TO JOHN MELLENKAMP’S HOUSE?

Rona_cindy_mellenkamp February 22nd is Rona Elliot’s birthday.  She’s the one in the red dress next to John Mellenkamp – I’m the one on the right in the weird shirt.  The woman in the middle is Kathy Schenker, a wonderful person who was then his publicist.  We were in Bloomington Indiana, at Mellenkamp’s house (honest!) to interview him about his new album (I think they were still albums then.)

This kind of adventure is what Rona has brought into my life, along with a deep abiding friendship and a sense of respect for her that I feel for few others.  She is courageous, funny, smart, cool, great, did I say smart?, and the best production partner I ever had.  We both worked for the TODAY SHOW.  In 1988 I was told I wasn’t assigned to cover the New Hampshire primary and was really – really – upset.  Rona laughed – "I have something so much better for you", she said.  And she did. 

We went to the Rock and Roll Hall of Fame induction in Manhattan.  Bruce Springsteen inducted Bob Dylan, Elton John inducted the Drifters.  Also honored and present, the three surviving Beatles, the Rolling Stones, the Beach Boys and more.  AND they all sang together.  AND we stayed up all night and cut a piece about it for the show.  A good one.  I don’t think I have had many experiences that were that thrilling – professionally or as an audience member.  But what’s really important about it is that that sort of joyous event — and the desire to share it — is part of the package that is Rona.

A friend for all seasons, she never forgets or loses someone she loves — and believe me when she’s in your life you’re glad she’s there. Not just for Rock and Roll shows (although we’ve shared many amazing times) but also for giving my kids "I Love Heavy Metal" shirts to "scare your mom" and volunteering at an orphanage and being a spectacular mother and wife and always open to new ideas and experiences every moment she’s alive. I’m so so grateful to share the brief times in our life that are still available in our coast-to-coast lives.  That night we saw Bruce Springsteen induct Bob Dylan into the Hall of Fame, he ended by saying – "and to quote one of your songs, ‘You was the brother that I never had.’"   Well I have two wonderful sisters but Rona – you’re the other amazing — as you call it — sistah — that I’m glad I have.  Happy Birthday.

PIX

This has been a great day but I may be too tired to tell you about it.

So here are some photos of

Yad_ezra_ed_warehouse3_4
A soup kitchen warehouse where volunteers organize food to feed 5000 families and prepare 300 meals a day

Yad_ezra_ktichen3_cropped_3
Their kitchen

Abramoff
A funny picture of Jack Abramoff

that he isn’t in.

Flowers_and_city_wall_2
And some pretty flowers on the edge of the wall overlooking Old City excavations.

More tomorrow.

PATTI SMITH, CBGB AND AN OBSERVANT LIFE

Cbgb I’ve never been to CBGB OMFUG.  Why do I care about a punk music club whose entrance was always spattered with graffiti and most of whose musical appearances were by people I knew almost nothing about — except Bruce Springsteen [he wrote this with Patti Smith] , Patti Smith [two favorites: People Have the Power, Peaceable Kingdom], Joan Jett [I Love Rock and Roll] and a few others? (I don’t t know the lore all that well – but it always seemed to me that women really got a crack at center stage at CBGB.)  I think it was just nice to see it there – waving its fist in the air.  It has closed – maybe to reopen, maybe not – and I’m just kind of sad to see it losing its lease to what some have called "the suburbification of Manhattan." 

Patti Smith, whom I had the honor to meet at last year’s Media Reform conference in St. Louis, was a real CBGB heroine and I felt, meeting her, a deep connection.  We’re the same age.  She’s a heartbreakingly honest person who lost her husband way too soon (and wrote People Have the Power partly at his instigation) — a mom and a singular human soul.  The music she made was remarkably articulate (she is a poet after all) and inspiring.  I’ve linked above to two of my favorites — one of which, People Have the Power, was an anthem of the Vote for Change election tour in 2004.

So what do the final days of a gritty music club where I never went have to do with my life as an observant Jew?  Believe it or not – plenty.  Both of them were fascinating universes I always observed from the outside and wondered about.  Both stood for making one’s own way to truth.  That search has taken me, for some reason I’m still grappling with, to the Orthodox Jewish community  where I’ve found a home and spirit that brings a new kind of meaning to my life. 

At my last big birthday I complained to a friend about my age and her response was "but you’re completely reborn in this new life – you’re not old AT ALL!"  In some ways she’s right.  I certainly feel that there’s a universe I’m traveling through that’s new, moving, inspiring and mysterious.  Sometimes though it’s also a pain.  For the past several weeks, from Rosh Hashanah (the New Year) to the end of Simchas Torah (Ending the annual, week-by-week reading of the Torah: the five books of Moses – Genesis, Exodus, Leviticus, Numbers and Deuteronomy and beginning again) the holidays consumed days of time: in synagogue, inviting guests to meals and going to meals at friends, building and dismantling a sukkah and observing the prohibition on driving and work.  Since this year many of these days fell on weekends it meant NO catching up on work on Sundays and no farmer’s market. (two weird examples, I admit.) Since it’s the end of tomato season that last was sad though not critical to the future of the human race or my household.  Even so, all these small requirements, which I try to follow since I’ve made this commitment, can consume time and tax serenity and spirituality.  I’ve come to love the prohibition on the Sabbath and enjoy the quiet days reading, taking walks, visiting, napping and sharing ideas.  But the surrender to and acceptance of all these rules is a peculiar experience and I grapple with it daily.  Even so, the quest, like that of the young rebels who put CBGB on the map, is a great adventure – and the learning is exhilarating.

Go listen to People Have the Power whether this post makes sense or not.  It will make you happy on a Monday – although that’s easier here today since it’s the third amazingly gorgeous fall day in a row – with leaves turning and leaf smells beginning to fill the air.  Which, I just realized, takes us right back to faith and gratitude for the world’s beauty when it shows up.    

TRY TO REMEMBER — THE FANTASTICKS, JERRY ORBACH, THE INTERNET AND ME

OK – so I should be used to it by now.  I’ve been — as I often say, a walking demographic Baby Boomer as long as I can remember.  But on this morning after the re-opening of THE FANTASTICKS*  – which ran off-Broadway for 42 years, I read "adults 55+ adapting online."  Of course they are — sooner or later whatever I’m doing becomes part of a generational wave.

Don’t worry – there IS a connection.

I saw THE FANTASTICKS  with my college room mate and her mother during fall vacation of my freshman year.  That was 1964 – four years after it opened.  At the end, all of 18, I was crying so hard that the woman sitting next to me – probably 25 or s0 – handed me the rose her date must have given her at dinner.  I kept it on the wall of my room for years. 

El Gallo — the irresistible seducer  and originator of the "hurt’ without which "the heart is hollow" —  was first played by Jerry Orbach.  [hear him sing Try to Remember here.]  I met him when I was close to 50 – and told him I’d seen the show when I was 18.  His face just changed – not a trace of Lennie Briscoe but a combination of affection, nostalgia and pleasure.  We spoke a bit more and then I apologized for approaching him at a reception and acting like a groupie.  He replied "You saw the Fantasticks when you were EIGHTEEN!  That wasn’t an interruption that was a pleasure."  So I guess the story had the same impact on the cast that it had on girls like me.  "Please God please," the young girl ("the girl") cries out – "don’t let me be NORMAL!"  That was me alright.  Please let me be singular – not like the others! 

Well it hasn’t turned out that way.  Whatever I come to, my peers hit within a year or so.  It made me a great talk show producer – never a visionary too far ahead to be relevant, just enough ahead to know what story to do next.  I guess that’s why I accommodated to my role as close enough to normal but with an edge — rather than the downtown woman I had once wished to be.

I knew about this headlong Boomer journey online because my older son, in the industry, had read a similar study.  Last weekend I told him that I seemed to be getting a lot more online consulting work and his theory was that companies need boomer consultants more because more "civilian" boomers are finally hitting the web.  I always knew we would; the tribe that is the baby boom loves to be connected.  The web was a perfect home for us.  Just like THE FANTASTICKS.

*OK Feminist friends, there’s an element of sexism in this original fairy tale (they’ve rewritten the only really troubling song) but I have chosen to ignore it.  It just can’t trump the wonder and poetry.